Pandemic Intervals

They close our job. We stumble to the train.
Above us claims nothing but birds. The planes 
are all grounded. Yowling coyotes hunt
beyond the edge of the streetlights. For months, 
not a single school shooting, though the earth 
demands its always of blood—even now
I know friends are dying. I sneak to her 
after curfew, criminal, heart swollen 
and ripe. In her backyard, light paints her 
body pale against the grass, shadows press 
into her belly. It's impossible 
to keep track of everything that’s gone wrong.  
But beneath her ribs I rest my head 
on a pillow made of the moon. 
A million people die. It’s just the two 
of us at her house. Our fingers catch
on the ridges of our prints, the pressure 
of when to push, when to pull together, 
our bodies moving toward the grace of us. 
We come together. Always and again,
watermelon split open, pink and spilling 
a sunrise of sugar. A coyote 
walks down the middle of State Street. And then
it ends. And begins. Planes fly, work reopens. 
The shootings resume. We no longer speak.

What is a
True THing About THornton, Illinois?

It doesn't have to be true. This is how
the poem begins, with an explosion
at the quarry or a tornado siren
at noon. The explosion rocks your house. 
You feel the kitchen wall lift from the slab
of concrete. The tornado siren sounds
like a bird call. Otherwise, everything
is normal. Your neighbor is yelling at
her son for tearing up the flower bed. 
A funnel cloud writhes on a gray canvas.
The news declares it Eerily beautiful.
How it’s hung on the horizon like art.
It is all so futile. The mayor bans
Tornados, and everyone agrees
the explosion never happened. Quarrymen 
continue to collect half-moons of black
beneath their fingernails like always.
The woman you loved remarries. Cops kill
an innocent man asleep in his bed. 
The doorway to your kitchen sits crooked
still. Nothing changes. You can't close the door. 
It’s all true. You just have to live with it.


Todd Heldt is a librarian in Chicago.


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